The average woodworker doesn’t always use the best looking method to join two pieces of wood – he or she is happy just to get the face frame stuck to the cabinet side. That’s why these folks are “average”. The … Continue reading →
I’m a stickler for getting the history of Craftsman furniture correct. Too much has been written about the people, dates, responsibilities and relationships of the original makers and designers that doesn’t hold up to scrutiny. And a lot of these … Continue reading →
One way to judge the merit of an idea is to see how long the results of that idea stay around. A long time ago I thought it would be a good idea if somebody published a book of measured … Continue reading →
Last fall I spent a week at the Marc Adams School of Woodworking near Indianapolis, Indiana, leading a group of woodworkers in the construction of reproductions of the iconic Gustav Stickley/Harvey Ellis No. 700 Bookcase. Marc Adams’ classes are always … Continue reading →
I realize that this website is a mixed bag, but it is a reflection of what I do. I’m interested in many different things and old enough to be pretty good at several of them. As it’s time to get … Continue reading →
I use watercolor pencils to add color to my carving work. I’m pretty sure I’m not the only one to do this, but I’ve never seen any step by step description of the process. Here is a pictorial run though … Continue reading →
Marc Adams School of Woodworking is a special place and I’ve been invited to teach a few classes at MASW in 2017. It is the largest woodworking school in the country with an incredibly well-equipped shop and an experienced staff … Continue reading →
This piece is for sale, in stock for immediate delivery. Scroll down for purchasing information. This carving is based on the left hand door panel of the Byrdcliffe linen press. The original linen press is in the Metropolitan Museum in … Continue reading →
This piece has been sold, but I would love to carve another one just for you. Click Here to send me an email. It doesn’t seem like ten years have passed since I built a reproduction of the Byrdcliffe Sassafras … Continue reading →
I spent last week in the company of a dozen or so woodworkers at the Marc Adams School of Woodworking in Franklin, Indiana. We were working on reproductions of the iconic Gustav Stickley/Harvey Ellis No. 700 glass door bookcase. This … Continue reading →
 . . . A Plea For a Democratic Art In the October 1904 issue of “The Craftsman” magazine, Gustav Stickley looked back on three years of publishing and many more years as a furniture maker. The article is worth reading … Continue reading →
There are hundreds of woodworking clubs in the United States, and last week I spent three days + one morning in the company of members of one of the best, the Gwinnett Woodworkers Association. Many of the faces were familiar … Continue reading →
There are still a few spots available in my upcoming class at the Marc Adams School of Woodworking in fabulous Franklin, Indiana October 3-7, 2016. CLICK HERE TO VISIT THE MASW WEBSITE AND ENROLL We will spend the week making … Continue reading →
A local woodworking club is a great way to connect with friends you haven’t met yet. One of the best organizations I’ve visited is the Gwinnett Woodworkers Association located in the north east corner of Atlanta, Georgia. I was there … Continue reading →
This piece is for sale, available for immediate delivery. In the late 1800s, Japanese prints became the “latest thing” in America. Frank Lloyd Wright and Harvey Ellis both enjoyed and collected prints, and the influence of this aesthetic can be … Continue reading →
This piece is for sale with immediate availability. In the course of studying Arts & Crafts style furniture for many years, I’ve also had the privilege to see many beautiful works in other media. Glass, prints and pottery are some … Continue reading →
There was a discussion last week over at WoodTalk Online about Darrell Peart’s books on Greene & Greene Furniture and my book “Shop Drawings for Greene & Greene Furniture” was mentioned. The question was about what projects are in the … Continue reading →
Back in stock, new carving available for immediate shipment! The lines between art and craft have always been wide and fuzzy. I have studied Arts & Crafts period furniture for a long time, and along with the furniture of that … Continue reading →
In the early 1900s Gustav Stickley had one of the most modern, best equipped furniture factories in the world. If you are as nerdy as I am about this stuff, you should get your hands on a copy of The … Continue reading →
They say you can’t teach an old dog new tricks. You can, but sometimes it takes a while. After my first book, “Shop Drawings for Craftsman Furniture” was published in 2001 I began selling large format printed plans of many … Continue reading →
Here is a link to the SketchUp model of the modified Harvey Ellis/Gustav Stickley bookcase that was the subject of a weekend build workshop held April 9-10, 2016. Click and drag with the left mouse button over the model image … Continue reading →
I had heard nice things about the Alabama Woodworkers Guild before I left last week to teach a two-day seminar in building a Stickley cabinet and an evening SketchUp workshop. When I arrived on Friday I found a shop that … Continue reading →
My cynical side believes that there isn’t much difference between history and marketing, and my rational side has to admit that a lot of recorded history exists to sell something. Maybe not a specific product but a set of ideas … Continue reading →
I spent a little time this morning making a SketchUp model of one of the pieces from Gustav Stickley’s “The Craftsman” magazine. This table has always intrigued me, it was designed by Ernest Gimson in the early 1900s. This was … Continue reading →
The biggest advantage of SketchUp (or any other CAD software) isn’t in making an initial plan. That takes a while no matter what method you use. But if you want to change something, or make new design that is similar … Continue reading →
At the Alabama Woodworkers Guild – April 8-10, 2016 In a few months I will be traveling to Maylene (just south of Birmingham), Alabama to present not one, but two workshops for the Alabama Woodworkers Guild. The main event will … Continue reading →
This piece is available to purchase – scroll down for information. This is a hand carved, hand painted rendition of the Hebrew word Chai. It means life, now and in the hereafter. The carving is solid basswood, and the frame … Continue reading →
Making jigs (and writing about making jigs) is a popular topic. So popular that some woodworkers (and some authors) spend so much time creating jigs that they never accomplish much of anything else. I’m not one of those guys. I’m … Continue reading →
One of the curious things about woodworking is that you don’t really know how thorough to be in one step until you are knee-deep in the next. With experience you develop a routine and can move along efficiently. Without experience … Continue reading →
I only have a few classes scheduled (at the moment) for the coming year. Space is limited and my classes often fill early. Here are dates, places and information about signing up: SketchUp Weekend at Rockler Denver, January 30-31, 2016 … Continue reading →
This piece is available to purchase – scroll down for ordering details. This little table is 16″ in diameter and the top is 18″ above the floor. It is made entirely from solid quartersawn white oak with through mortise and … Continue reading →
Bits and pieces of this piece have appeared here for the last month or so. I’m blessed with a talented, lovely and charming wife, and this is a collaboration between Joyce and I. If you don’t read Hebrew, this is … Continue reading →
The details that make the difference between furniture that is ho-hum and furniture that is WOW are most often subtle. If all you know about historical pieces is based on second hand information, you might believe that the way things … Continue reading →
There was a time when I was snooty about finishes, proudly boasting that I used no stains or dyes, preferring the beauty of the natural grain with a hand-rubbed oil finish. While there is a lot to be said for … Continue reading →
It isn’t getting what my dad used to call the “gray hair discount” and it isn’t the fact that almost everyone calls you “sir”. Those things don’t make up for the creaking joints and failing eyesight. It’s the color that … Continue reading →
When you reach a certain age you find yourself becoming more careful about some things, but not giving a hoot about others. There are a lot of interesting things I could pursue, but I find myself deliberately avoiding some new … Continue reading →
