I spent last week in the company of a dozen or so woodworkers at the Marc Adams School of Woodworking in Franklin, Indiana. We were working on reproductions of the iconic Gustav Stickley/Harvey Ellis No. 700 glass door bookcase. This … Continue reading →
 . . . A Plea For a Democratic Art In the October 1904 issue of “The Craftsman” magazine, Gustav Stickley looked back on three years of publishing and many more years as a furniture maker. The article is worth reading … Continue reading →
There are hundreds of woodworking clubs in the United States, and last week I spent three days + one morning in the company of members of one of the best, the Gwinnett Woodworkers Association. Many of the faces were familiar … Continue reading →
There are still a few spots available in my upcoming class at the Marc Adams School of Woodworking in fabulous Franklin, Indiana October 3-7, 2016. CLICK HERE TO VISIT THE MASW WEBSITE AND ENROLL We will spend the week making … Continue reading →
A local woodworking club is a great way to connect with friends you haven’t met yet. One of the best organizations I’ve visited is the Gwinnett Woodworkers Association located in the north east corner of Atlanta, Georgia. I was there … Continue reading →
In the early 1900s Gustav Stickley had one of the most modern, best equipped furniture factories in the world. If you are as nerdy as I am about this stuff, you should get your hands on a copy of The … Continue reading →
They say you can’t teach an old dog new tricks. You can, but sometimes it takes a while. After my first book, “Shop Drawings for Craftsman Furniture” was published in 2001 I began selling large format printed plans of many … Continue reading →
I had heard nice things about the Alabama Woodworkers Guild before I left last week to teach a two-day seminar in building a Stickley cabinet and an evening SketchUp workshop. When I arrived on Friday I found a shop that … Continue reading →
My cynical side believes that there isn’t much difference between history and marketing, and my rational side has to admit that a lot of recorded history exists to sell something. Maybe not a specific product but a set of ideas … Continue reading →
I spent a little time this morning making a SketchUp model of one of the pieces from Gustav Stickley’s “The Craftsman” magazine. This table has always intrigued me, it was designed by Ernest Gimson in the early 1900s. This was … Continue reading →
At the Alabama Woodworkers Guild – April 8-10, 2016 In a few months I will be traveling to Maylene (just south of Birmingham), Alabama to present not one, but two workshops for the Alabama Woodworkers Guild. The main event will … Continue reading →
Making jigs (and writing about making jigs) is a popular topic. So popular that some woodworkers (and some authors) spend so much time creating jigs that they never accomplish much of anything else. I’m not one of those guys. I’m … Continue reading →
One of the curious things about woodworking is that you don’t really know how thorough to be in one step until you are knee-deep in the next. With experience you develop a routine and can move along efficiently. Without experience … Continue reading →
The details that make the difference between furniture that is ho-hum and furniture that is WOW are most often subtle. If all you know about historical pieces is based on second hand information, you might believe that the way things … Continue reading →
There was a time when I was snooty about finishes, proudly boasting that I used no stains or dyes, preferring the beauty of the natural grain with a hand-rubbed oil finish. While there is a lot to be said for … Continue reading →
It isn’t getting what my dad used to call the “gray hair discount” and it isn’t the fact that almost everyone calls you “sir”. Those things don’t make up for the creaking joints and failing eyesight. It’s the color that … Continue reading →
When you reach a certain age you find yourself becoming more careful about some things, but not giving a hoot about others. There are a lot of interesting things I could pursue, but I find myself deliberately avoiding some new … Continue reading →
Like a guy who remembers the first girl he kissed, I know exactly when and where my fascination with Byrdcliffe carving began. In the late 1980s I came across one of the best books about the Arts & Crafts period, … Continue reading →
A few weeks ago I spent the weekend teaching a class on carving reproductions of the panels from the Byrdcliffe Iris Desk at the Marc Adams School of Woodworking deep in the corn maze of central Indiana. Carving is the … Continue reading →
UPDATE MAY 28, 2022: “The Craftsman” Magazine online archive has changed. Here is the link to access all issues: The Craftsman Magazine I’ve never been to Madison, Wisconsin but it is one of my favorite places because it is the … Continue reading →
Space is still available for this class August 1 & 2, 2015-Click Here to sign up at the Marc Adams School of Woodworking website. On the weekend of August 1 & 2 I’ll be teaching a weekend workshop at the … Continue reading →
I don’t teach classes very often; a few times a year at most. While I really enjoy teaching, I’m not crazy about travel, hotels or unknown sources of food. I don’t actively solicit teaching jobs, but when somebody calls or … Continue reading →
About a week ago I stumbled across a Facebook post where people were offering up “Get Well” wishes and speculating on my possible demise, in response to a “Weekly Woodworking News” video from Stumpy Nubs. Stumpy was looking for an … Continue reading →
Last evening, Chuck Bender, Glen Huey and I sat down with Dyami Plotke, Tom Iovino and Chris Atkinson and recorded a conversation about our new adventure 360 Woodworking. You can listen to the conversation by tuning in to the Modern … Continue reading →
A completed piece of furniture provides a feeling of satisfaction and accomplishment that people who don’t make furniture miss out on. I suppose it’s like most things in life that take dedicated effort and practice; those who have been there … Continue reading →
I’ve written before about Dean Mattson and his work as a shop teacher at North Salem High School in Salem, Oregon. Shortly after meeting him online, I published “The Future of Woodshop, Win, Win, Win.” That inspired me to travel … Continue reading →
Last week I was honored to be a guest at a chair building class at the Chidwick School of Fine Woodworking in Stevensville, Montana. Most classes at Chidwick’s are comprised of guys in their fifties whose lives are pretty well … Continue reading →
This is the season for high school graduation, and after the parties are over it’s time to adjust to the real world. Kids fresh out of school don’t have a lot of good choices. It’s either off to college, the … Continue reading →
“Bob Lang’s Complete Kitchen Cabinetmaker” has been one of my most successful books since it was published in 2006. It’s been reprinted several times (an unusual occurrence for a woodworking book in this day and age) and about a year … Continue reading →
A few years ago, Glen Huey and I traveled to Winston Salem, North Carolina to visit MESDA and do research for a book of measured drawings of early southern American furniture. MESDA is different from most museums and their collection … Continue reading →
One of the fundamental skills of woodworking is sharpening, and the often seen recommendation to use a jig plays to one of the fundamental character traits of most woodworkers. If you can sell a beginning woodworker on the idea that … Continue reading →
Jigs and templates are common in professional woodworking shops, as well as common topics in woodworking books, magazines and blogs. A good jig will do two things; make the work better and get the work done faster. If you … Continue reading →
Last Wednesday evening I spent about an hour chatting with Dyami, Chris and Tom from the Modern Woodworkers Association. They recorded the conversation about SketchUp, my day job at Popular Woodworking Magazine, my books old an new, Arts & Crafts … Continue reading →
The Chinese stool pictured at left is one of the most popular magazine projects I’ve made. It’s been about 4 years since the first one, and I still receive photos from readers and see folks building them online on a … Continue reading →
One of the things I don’t like about magazine articles is the lack of photos of the finished project. There simply isn’t room for more than one “beauty shot” within the six or eight allotted pages. I’ve had the cover … Continue reading →
This chair, the Gustav Stickley No. 369 Morris chair is one of the most iconic of his designs. I like it when complex things can be simplified, but I seem to like it more when something that appears simple at … Continue reading →
This clock was originally designed in 1895 by British architect and designer C.F.A. Voysey. The best known version is painted, but there are also examples in ebony and oak with inlaid faces. The clock in the video is featured as … Continue reading →
Picking a favorite project is like deciding which of your children you love the most. Picking my favorite kid would be easy, I only have the one. Among all the things I’ve made from wood, the Byrdcliffe Linen Press is … Continue reading →
DVD — “Build an Arts & Crafts Mantle Clock” is no longer available. Click Here for Photos of the Finished Clock The project I recently completed, a reproduction of a C.F.A. Voysey mantel clock in alternate materials was one of … Continue reading →
When I was a self employed furniture maker and cabinetmaker I didn’t have much choice about what I would build, it was mostly a matter of what a client wanted and was willing to pay for. For the last 9 … Continue reading →
